Traces the evolution, definition and dissemination of Mannerist, Baroque and Rococo art from 1510-1750 A.D., including absolutism and the bourgeois in the age of Rembrandt. Examines 17th-century architecture; the influence of the Counter-Reformation; the Italian translation of stone to flesh and heavenly vistas; Rubens and the artist as celebrity, and Caravaggio: the bad boy as artist; absolutism in France and its aristocratic art; Rembrandt and the Little Dutch Masters; Vermeer's ethereal imagery; Rococo and the Salon: wit and subtlety; Rousseau's back-to-nature movement and the Enlightenment; and the expressive and spiritual use of light in images by Caravaggio, Rembrandt and Vermeer. Fulfills the general education requirement in fine arts. [3 credits]